Conor Hilton: Blog #8

 

I generally prefer to read non-fiction case studies than academic case studies, since I find them more engaging to read. I think that this also makes the non-fiction ones more accessible to a wider audience than most of the academic ones (which I suppose puts me in the same camp as Brian Goedde and his advocacy for a more creative writing approach over an academic one). This approach I think allows readers to experience the lived reality of the tutoring more than academic case studies. A more academic approach does tend to provide a sense of formality and can lend authority (as Lorraine points out in Goedde’s piece), as well as working within a form that potentially gives readers more information that would allow them to replicate the experience. 

It seems to me that both have a purpose and that both approaches could learn something from the other. I have never written a non-fiction case study (or an academic case study to be fair), but I would like to incorporate more creative writing practices and techniques into my own scholarship because I think that readable, accessible scholarship is important, and it seems that those elements can work to make scholarship more public facing, which is a goal that I have for my own work. 

Comments

  1. I also prefer to read creative, nonfiction case studies over academic ones. Goedde's personal experiences made me more interested in finding out what happened with Lorraine, whether she learned or not and finished the paper. It's much easier to get invested in the case study when it feels like I'm reading about a real person and not just statistics. I also think the accessibility angle is important and a valid reason to write creatively, and something Goedde could've addressed even more in his work with Lorraine when convincing her to write creatively.

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