David Kime [#10], "Across the Curriculum"
Since starting at the Writing Center, I have had a plethora of topics outside my discipline. To be fair, though, I expect that -- not because I think Cinema majors wouldn't utilize the Writing Center (though something tells me they'd be less likely to), but rather because they're rather few and far between, and even fewer that would have writing to submit. Actually, come to think of it, I might be more intimidated by reading work and offering suggestions within my discipline.
So far, I have worked with students on music (through a scientific angle), Chinese literature, archaeology, rhetoric, bioethics, economics, and 19th century literature. All of these induce some level of panic due to my lack of familiarity (STEM fields, looking at you), especially when the science/music paper is a dissertation. Honestly, I felt a bit thrown into the fire. But my tutees have largely seemed grateful for the assistance I've given them, especially the two which I've worked with since the beginning of the semester. They seem more confident in their writing and direction (Or maybe they're just being nice.).
The authors of The Bedford Guide write, "Regardless of a paper's topic, you can determine whether the ideas are presented in a cohesive and persuasive manner" (72). That feels true from my experience... to an extent. Sometimes terminology will trip me up because I don't understand the usage of a word. But, perhaps, my lack of familiarity is beneficial. My students have largely been able to re-explain what they mean, which not only clarifies the word but reveals areas that need improvement. By not knowing terminology, having this outside perspective, I inadvertently make them question it. They have to re-evaluate their meaning for clarity, and that has (occasionally) aided them in getting past that fog of having read it too many times. Plus, it allows me to provide an example, if needed, that they will have to rephrase because I don't know the right words.
Last thing, a moment in The Bedford Guide that confused me: for scientific papers, it reads, "Does the writer use passive voice, which is the generally accepted convention?" I just had a conversation with a tutee about this today, as he received feedback on his scientific paper that mandated an active voice.
That's a good point about making them question their terminology. A common problem in academia is that people will use a word over and over without thinking very carefully about what that word actually means. They have a general grasp of it, but a general grasp isn't enough.
ReplyDeletePassive voice is very common in scientific papers. The general advice I've seen is to use active voice when the subject is more important and passive voice when the object is more important.
I wanted to echo Jose’s sentiment that passive voice is the generally accepted convention in scientific writing. However, I’ve also been looking for examples of quote-unquote “good” scientific writing, and many of the strongest examples, as judged by people (and not necessarily academics) online, eschew the passive voice for something more personal. There’s even been people that have written from the first person in their scientific papers, which I felt made the papers more compelling as both communicators of science and as pieces of writing. I wonder if the passive voice convention in scientific writing will live on, or if slowly other styles will start to take over.
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